My noble father, I do perceive here a divided duty. And then, they say, no spirit dares stir abroad; The nights are wholesome; then no planets strike, No fairy takes, nor witch hath power to charm, So hallow'd and so gracious is the time.
Her sexual power over men is conveyed boldly, for example, in her descriptions of her former conquests 'great Pompey' and 'Broad-fronted Caesar'. That is very common in the age: Gertrude lets both her husband, Claudius, and her son walk all over her throughout the play.
Thus, he states his famous quotation about the inconstancy of the female character: Through his representation of womanhood, especially in the character of Cleopatra, Shakespeare indeed does transcend the stereotypes of his own time.
Although a flash of her potential self-will shines through at the beginning of the play, when we learn that Ophelia has entertained Hamlet unchaperoned or without paternal consent, this is stifled very quickly by Polonius and Laertes - the double voice of the patriarchy - telling her that she is naive and that her behaviour is unsuitable.
Yea, this solidity and compound mass, With tristful visage, as against the doom, Is thought-sick at the act.
This is a rather courageous act of will, which could have resulted in much strife. Later on, when checked whether she has done what her father has dictated, she replies: I would not, in plain terms, from this time forth, have you so slander any moment leisure, as to give words or talk with the Lord Hamlet.
Graham Handily Colin, Philip C. Laertes shows here some concern regarding the familiar possessions, among which his sister is included. Aphelia would not be authorized to have a proper funeral and burial if it was seen to be suicide.
What the phrase meansis that women, to Hamlet's mind, represent all that is frail breakable, delicate, weak in human nature; all weakness is bound up in, epitomized in women, and Gertrude is the epitome of this womanly weakness and frailty.
And we beseech you, bend you to remain Here, in the cheer and comfort of our eye, Our chiefest courtier, cousin, and our son.
Unsurprisingly though, it is through the character of Cleopatra that Shakespeare really depicts death as an assertion of self-hood and an act of defiance to the patriarchal laws. Unquestioningly obeying their remonstrances against pursuing a relationship with Hamlet, she rejects his advances - which of course she believes to be genuine - and thus when he pretends to be mad she believes it to be her fault.
III, iv, Hamlet viciously attacks his mother for her marriage to Claudius. As Brian Shaffer suggests Othello's punishment of Desdemona becomes the crime itself, subverting the domestic tragedy of the Elizabethan stage. Women were considered weak and looked down by society.
Her refusal to blame Othello for his terrible treatment of her, when he suspects her of betrayal, must not be viewed as simple subservience but as a self-willed refusal to accept a bad opinion of the husband she has chosen.
Cleopatra's death becomes an act of triumph over Caesar - the representative of patriarchal Rome. That it should come to this. Her identity diminishes until she fits into the stereotype of the silent woman.
During the closet scene, Hamlet tried to make his mother aware of her wrongful actions, but she is unable to withstand the confrontation and breaks down. I believe that Shakespeare because of his extraordinary genius for portraying human behaviour, necessarily depicted the condition of women within a patriarchal system and created women characters which in their richness, transcend the limitations of his time.
And it is great To do that thing that ends all other deeds, Which shackles accidents and bolts up change Cleopatra combines feminine and masculine qualities through her death. Her overall portrayal f Aphelia however, seems weak and she seems to Just blend further and further into the background.
This is her father yet again taking control of her life and happiness when he suggests that they set up a meeting with Hamlet so that Polonium and Claudia get to spy on the situation and hear what Hamlet has to say.
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1 (Shakespeare,p. ) One can notice how he does not say “Frailty thy name is Gertrude”, but “thy name is woman”, extending his disgust for all the members of womanhood. A summary of Motifs in William Shakespeare's Hamlet.
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Type of Work Hamlet, Prince of Denmark is a tragedy. A tragedy is a dignified work in which the main character undergoes a struggle and suffers a downfall. Frailty, Thy Name Is Woman” Frailty is something that seems to have lead many women to their downfall during The Elizabethan Age.
In William Shakespeare’s Hamlet, the two main female characters, (Gertrude and Ophelia), are victims of the tragic quote, “ frailty, thy name is woman ”.
Frailty thy name is woman” Women in society’s eyes are seen and looked down upon as weak, insignificant and a lower species than that of men. Similarly in the play “Hamlet” by William Shakespeare, Hamlet’s view of women is decidedly dark.Hamlet frailty thy name is woman essay